Starring Max Davidson.
Featuring David Butler, Lillian Elliott, and Spec O'Donnell.
Directed by Leo McCarey.
Synopsis
"Mother put Paris green in his pea soup!"
A widow of forty (Lillian Elliott) is in love, and is making plans to marry Ethan Wattles (Max Davidson). The widow's elder son (David Butler) spies her fooling around and informs his younger brother (Spec O'Donnell). They believe that their mother has gone cuckoo.
When they confront her, she informs them that she is due to marry Mr Wattles and that he'll make an excellent papa for them.
Mr. Wattles arrives at the house and the sons spy on him. They take an instant dislike to him, joking with each other that he looks like an Airedale.
They immediately set about trying to think of a plan to dissuade Mr. Wattles from marrying their mother.
The elder son comes up with a plan...
Wrapping himself up in his coat and covering his face, he goes outside the family home and to a window, close to where Mr. Wattles is sitting on the sofa. Throwing a cushion at Mr. Wattles to get his attention, the elder son leaves a note for the husband-to-be to read.
The note warns Mr. Wattles that the widow's sons are "dizzy in their domes" and that he should avoid marrying her.
A shocked Mr. Wattles is evidently upset as his bride-to-be returns to the sofa to show him the family photo album.
As the widow shows him the photos, Mr. Wattles catches sight of her two sons over his left shoulder. They both act as if they are bonkers, pulling funny faces at him and performing silly walks. Their mother can't see any of what is going on, but Mr. Wattles feels more and more uncomfortable...
The sons continue their attempt to scare off Mr. Wattles: the sons jump around on pogo sticks and use a variety of tricks involving their clothes to appear as a giant and a dwarf. They even pretend to row a boat across the floor!
With the widow out in the kitchen preparing dinner, the sons enter, with the elder son leading in the younger one on a leash acting like a monkey - complete with mask on the top of his head.
I *think* it's a monkey mask; it's hard to tell...
They clown around until their mother returns. She gives them a good telling off before disappearing back into the kitchen.
The sons continue to annoy Mr. Wattles; inspecting his clothes, playing with his hair, even pulling hairs out of his beard.
Mr. Wattles walks over to the fireplace and spies a picture of the boys' father. He asks them how he died. The elder son informs the hapless Wattles that his mother poisoned him by putting Paris green in his soup!
Dinner is served, and out of sight of the others, the elder son puts gasoline in Wattles's soup.
They all sit down to dinner, and Mr. Wattles takes a mouthful of his soup. He can tell that something doesn't taste right, but the elder son claps him on the back and he swallows a mouthful of gasoline/soup.
Mr. Wattles's foot kicks against the gasoline can that is under the table, and he realises the game that the elder son has been playing with him.
Getting his own back, Mr. Wattles throws some of his soup into the fire which is behind the elder son, and a giant flame erupts out of the fire, scorching the son's backside!
Mr. Wattles does this twice more before the son shoves his would be step-father's head in his plate of soup. Mr. Wattles chastises the elder son, but in doing so, his beard catches fire from one of the candles on the table.
The sons put out the smouldering beard by whacking Mr. Wattles in the face with cushions.
The wedding day arrives with guests and presents aplenty. The sons concoct an elaborate scheme to prevent the wedding from taking place. The elder son dresses up in disguise as the father to a young woman (played by the younger son in disguise). The young woman has supposedly had a baby recently, fathered by Mr. Wattles. They crash the ceremony in disguise, informing the guests that Mr. Wattles is the father of the young baby.
The guests are horrified until the elder son's fake moustache falls off and the baby's clothes slip revealing the young baby to be black. With their plans ruined and their disguises shed, the sons apologise and run upstairs to fetch their wedding day present for their new step-father.
It's a box which springs open to reveal a harlequin making a rude gesture!
When they confront her, she informs them that she is due to marry Mr Wattles and that he'll make an excellent papa for them.
Mr. Wattles arrives at the house and the sons spy on him. They take an instant dislike to him, joking with each other that he looks like an Airedale.
They immediately set about trying to think of a plan to dissuade Mr. Wattles from marrying their mother.
The elder son comes up with a plan...
Wrapping himself up in his coat and covering his face, he goes outside the family home and to a window, close to where Mr. Wattles is sitting on the sofa. Throwing a cushion at Mr. Wattles to get his attention, the elder son leaves a note for the husband-to-be to read.
The note warns Mr. Wattles that the widow's sons are "dizzy in their domes" and that he should avoid marrying her.
A shocked Mr. Wattles is evidently upset as his bride-to-be returns to the sofa to show him the family photo album.
As the widow shows him the photos, Mr. Wattles catches sight of her two sons over his left shoulder. They both act as if they are bonkers, pulling funny faces at him and performing silly walks. Their mother can't see any of what is going on, but Mr. Wattles feels more and more uncomfortable...
The sons continue their attempt to scare off Mr. Wattles: the sons jump around on pogo sticks and use a variety of tricks involving their clothes to appear as a giant and a dwarf. They even pretend to row a boat across the floor!
With the widow out in the kitchen preparing dinner, the sons enter, with the elder son leading in the younger one on a leash acting like a monkey - complete with mask on the top of his head.
I *think* it's a monkey mask; it's hard to tell...
They clown around until their mother returns. She gives them a good telling off before disappearing back into the kitchen.
The sons continue to annoy Mr. Wattles; inspecting his clothes, playing with his hair, even pulling hairs out of his beard.
Mr. Wattles walks over to the fireplace and spies a picture of the boys' father. He asks them how he died. The elder son informs the hapless Wattles that his mother poisoned him by putting Paris green in his soup!
Dinner is served, and out of sight of the others, the elder son puts gasoline in Wattles's soup.
They all sit down to dinner, and Mr. Wattles takes a mouthful of his soup. He can tell that something doesn't taste right, but the elder son claps him on the back and he swallows a mouthful of gasoline/soup.
Mr. Wattles's foot kicks against the gasoline can that is under the table, and he realises the game that the elder son has been playing with him.
Getting his own back, Mr. Wattles throws some of his soup into the fire which is behind the elder son, and a giant flame erupts out of the fire, scorching the son's backside!
Mr. Wattles does this twice more before the son shoves his would be step-father's head in his plate of soup. Mr. Wattles chastises the elder son, but in doing so, his beard catches fire from one of the candles on the table.
The sons put out the smouldering beard by whacking Mr. Wattles in the face with cushions.
The wedding day arrives with guests and presents aplenty. The sons concoct an elaborate scheme to prevent the wedding from taking place. The elder son dresses up in disguise as the father to a young woman (played by the younger son in disguise). The young woman has supposedly had a baby recently, fathered by Mr. Wattles. They crash the ceremony in disguise, informing the guests that Mr. Wattles is the father of the young baby.
The guests are horrified until the elder son's fake moustache falls off and the baby's clothes slip revealing the young baby to be black. With their plans ruined and their disguises shed, the sons apologise and run upstairs to fetch their wedding day present for their new step-father.
It's a box which springs open to reveal a harlequin making a rude gesture!
Review
"Mother planned the wedding day - Her sons planned assault and battery"
"Should Second Husbands Come First?" gives you everything that you'd want from a Max Davidson comedy: Max's trademark facial expressions of bewilderment, fear, and disappointment; lots of riotous slapstick; and the acting talents of Spec O'Donnell.
It's thanks to my old pal George that I started watching Max Davidson's comedies, and frankly, Max's silent shorts constitute some of the best work that the Hal Roach studios were producing in the late 20s.
A lot of this is thanks to Max Davidson himself: A talented actor born in Germany who emigrated to America, and the star of the shorts, playing the long-suffering head of a Jewish household. Max is a terrific actor with a bevy of hilarious facial expressions that will leave you laughing until it hurts. His comic timing is impeccable, and even though the surviving film footage of "Should Second Husbands Come First?" is fragile, it's marvellous to see Max's many side-splitting grimaces as he is on top form as a gulled suitor.
Seeing Max react to the goings-on with his trademark scowl and scratch of his beard as Ethan Wattles is all the funnier when the titles in the film reveal that Mr. Wattles has "It" - a direct reference to "It-girl" Clara Bow, whose film "It" was released the same year as "Should Second Husbands Come First?".
I might have to set up a new poll: Who has more of "It" - Max or Clara?...
David Butler as the elder son and Spec O'Donnell as the younger son also make this film the hilarious laugh-fest that it is. Their immediate hostility towards Mr. Wattles, which is tinged with playfulness throughout - suggesting that their step-father looks like an Airedale terrier, for example - is well-matched by both actors speciality in performing madcap shenanigans.
In fact, I owe Spec an apology...
The first time that I saw Spec was in "Call of the Cuckoo" (1927), where he plays Max's ineffective and feckless son. I don't know why, but the character of the feckless son annoyed me, and I stupidly transferred that disdain to Spec O'Donnell, the actor.
What a mistake I made! Spec O'Donnell is the perfect foil for Max Davidson in the surviving shorts, with plenty of his own scene-stealing moments. He's an incredibly versatile and laugh-out-loud funny actor. So, Spec, I apologise for my rash judgement - what a cuckoo I am!
David Butler and Spec work well together. The scene where they both desperately try to think of a plan to stop the wedding is marvellous, with David creating some wonderfully comic faces as he racks his brains to think of a plan. Spec's innate ability to look gawky just makes the moment even funnier.
But Max is the king of the funny face, just look at his open-mouthed horror as he receives the note that the widow's sons are crazy. Grimacing, and touching the side of his face with his open palm in confusion: Hilarious!
The real comedy begins when both sons pretend to be crazy in eyeshot of a concerned Mr. Wattles.
It's hard not to laugh at David Butler's facial expressions as he torments Max, and likewise, you carry on laughing at Max's own expressions in response to the thought of marrying a widow who has crazy sons! This is possibly the best scene in the film.
My own favourite moment from the brothers' performance of madness is when David and Spec make as if they are rowing a boat across the floor of the hallway. That's just amazing!
And to see Max tearing at his hair and gnashing his teeth in a response that reveals his own madness is very funny indeed. The sons have already driven him mad and he hasn't even married the widow yet.
The slapstick madness continues when David enters the living room with Spec on a leash pretending to be a monkey. Spec's clowning around the room - leaping, rolling, even performing -huge- jumps thanks to special effects wizardry, are uproarious and continue the light-hearted 'attack' on Mr. Wattles that the film showcases.
As is so frequently the case in Max Davidson comedies, it is Max's reactions to events unfolding that can give the viewer the biggest laugh. Just look at his bewildered expression as he reacts to Spec leaping around like a monkey - it's priceless.
The bullying of Mr. Wattles becomes a bit more extreme when he learns falsely from the sons that their father died of poisoning at the hands of their mother. Cue David Butler, out-of-sight, pouring gasoline into Max's pea soup. Max is the star of the show at the dinner table as well, with impeccable comic timing and expression as he swallows the first mouthful of "poisoned" soup, right up to his vacant and far-away look as he sees the painting of the widow's first husband move and communicate with him right before his very eyes.
But this is a Max Davidson comedy, so Max doesn't take things lying down! Flinging a spoonful of his soup into the fire to burn the elder son's backside is funny, if slightly obvious, comedy.
The final section of the short uses a hilarious mixture of "flashbacks" to support the brothers' wild story that Max has a habit for impregnating women and marrying them before doing a runner!
David Butler dons a wig and moustache as an angry gun-wielding father who attempts to defend the honour of his daughter, left behind by Max.
Spec almost steals the entire film with his performance of the wronged young woman. In drag, complete with wig, skirt, and lipstick, Spec gives a masterclass in parodying melodrama. (And, in fact, this wasn't the first time that he'd donned women's weeds in a Max Davidson comedy...)
But all's well that ends well, and Max triumphs over his new step-sons - well, until they give him a wedding present! All in all, it's a great light-hearted short with a lot of decent gags. It's not as bonkers as some Max Davidson comedies (such as "Don't Tell Everything") but it's also a lot better than others (such as "Why Girls Say No", for example). Finally, Lillian Elliott does a great job in playing the lovesick widow in what, admittedly, is little more than a bit-part in the film.
It's worth noting that like a lot of Max Davidson's comedies, we're lucky that a copy even survives (even though this particular copy must have originally been quite grainy and damaged until restoration). It's a shame that so many other Max Davidson films are "lost", but I still remain hopeful that one or two more may resurface over the years.
What do you think of "Should Second Husbands Come First?"
What's your favourite Max Davidson comedy?
It's thanks to my old pal George that I started watching Max Davidson's comedies, and frankly, Max's silent shorts constitute some of the best work that the Hal Roach studios were producing in the late 20s.
A lot of this is thanks to Max Davidson himself: A talented actor born in Germany who emigrated to America, and the star of the shorts, playing the long-suffering head of a Jewish household. Max is a terrific actor with a bevy of hilarious facial expressions that will leave you laughing until it hurts. His comic timing is impeccable, and even though the surviving film footage of "Should Second Husbands Come First?" is fragile, it's marvellous to see Max's many side-splitting grimaces as he is on top form as a gulled suitor.
Seeing Max react to the goings-on with his trademark scowl and scratch of his beard as Ethan Wattles is all the funnier when the titles in the film reveal that Mr. Wattles has "It" - a direct reference to "It-girl" Clara Bow, whose film "It" was released the same year as "Should Second Husbands Come First?".
I might have to set up a new poll: Who has more of "It" - Max or Clara?...
David Butler as the elder son and Spec O'Donnell as the younger son also make this film the hilarious laugh-fest that it is. Their immediate hostility towards Mr. Wattles, which is tinged with playfulness throughout - suggesting that their step-father looks like an Airedale terrier, for example - is well-matched by both actors speciality in performing madcap shenanigans.
In fact, I owe Spec an apology...
The first time that I saw Spec was in "Call of the Cuckoo" (1927), where he plays Max's ineffective and feckless son. I don't know why, but the character of the feckless son annoyed me, and I stupidly transferred that disdain to Spec O'Donnell, the actor.
What a mistake I made! Spec O'Donnell is the perfect foil for Max Davidson in the surviving shorts, with plenty of his own scene-stealing moments. He's an incredibly versatile and laugh-out-loud funny actor. So, Spec, I apologise for my rash judgement - what a cuckoo I am!
David Butler and Spec work well together. The scene where they both desperately try to think of a plan to stop the wedding is marvellous, with David creating some wonderfully comic faces as he racks his brains to think of a plan. Spec's innate ability to look gawky just makes the moment even funnier.
But Max is the king of the funny face, just look at his open-mouthed horror as he receives the note that the widow's sons are crazy. Grimacing, and touching the side of his face with his open palm in confusion: Hilarious!
The real comedy begins when both sons pretend to be crazy in eyeshot of a concerned Mr. Wattles.
It's hard not to laugh at David Butler's facial expressions as he torments Max, and likewise, you carry on laughing at Max's own expressions in response to the thought of marrying a widow who has crazy sons! This is possibly the best scene in the film.
My own favourite moment from the brothers' performance of madness is when David and Spec make as if they are rowing a boat across the floor of the hallway. That's just amazing!
And to see Max tearing at his hair and gnashing his teeth in a response that reveals his own madness is very funny indeed. The sons have already driven him mad and he hasn't even married the widow yet.
The slapstick madness continues when David enters the living room with Spec on a leash pretending to be a monkey. Spec's clowning around the room - leaping, rolling, even performing -huge- jumps thanks to special effects wizardry, are uproarious and continue the light-hearted 'attack' on Mr. Wattles that the film showcases.
As is so frequently the case in Max Davidson comedies, it is Max's reactions to events unfolding that can give the viewer the biggest laugh. Just look at his bewildered expression as he reacts to Spec leaping around like a monkey - it's priceless.
The bullying of Mr. Wattles becomes a bit more extreme when he learns falsely from the sons that their father died of poisoning at the hands of their mother. Cue David Butler, out-of-sight, pouring gasoline into Max's pea soup. Max is the star of the show at the dinner table as well, with impeccable comic timing and expression as he swallows the first mouthful of "poisoned" soup, right up to his vacant and far-away look as he sees the painting of the widow's first husband move and communicate with him right before his very eyes.
But this is a Max Davidson comedy, so Max doesn't take things lying down! Flinging a spoonful of his soup into the fire to burn the elder son's backside is funny, if slightly obvious, comedy.
The final section of the short uses a hilarious mixture of "flashbacks" to support the brothers' wild story that Max has a habit for impregnating women and marrying them before doing a runner!
David Butler dons a wig and moustache as an angry gun-wielding father who attempts to defend the honour of his daughter, left behind by Max.
Spec almost steals the entire film with his performance of the wronged young woman. In drag, complete with wig, skirt, and lipstick, Spec gives a masterclass in parodying melodrama. (And, in fact, this wasn't the first time that he'd donned women's weeds in a Max Davidson comedy...)
But all's well that ends well, and Max triumphs over his new step-sons - well, until they give him a wedding present! All in all, it's a great light-hearted short with a lot of decent gags. It's not as bonkers as some Max Davidson comedies (such as "Don't Tell Everything") but it's also a lot better than others (such as "Why Girls Say No", for example). Finally, Lillian Elliott does a great job in playing the lovesick widow in what, admittedly, is little more than a bit-part in the film.
It's worth noting that like a lot of Max Davidson's comedies, we're lucky that a copy even survives (even though this particular copy must have originally been quite grainy and damaged until restoration). It's a shame that so many other Max Davidson films are "lost", but I still remain hopeful that one or two more may resurface over the years.
What do you think of "Should Second Husbands Come First?"
What's your favourite Max Davidson comedy?
Watch it
"Mr. Wattles - he has 'It'"
"Should Second Husbands Come First?" is available on DVD, restored by the German Filmmuseum as part of their "Max Davidson Comedies" set.
Here's the link: Max Davidson Comedies DVD
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